When Maithili Sharan Gupta, a famous Hindi poet, wrote years ago:
“Abla Jeevan Hai Teri Yehi Kahani, Aanchal mein hai doodh aur aankhon mein paani”
(What is the life of a helpless woman — tears in her eyes and a suckling child in her lap),
he had portrayed a rather helpless image of women. That was many, many years ago.
While women have since emerged stronger and achieved everything a man could, atrocities against them have not ended — they have only changed shapes. Society is going through turbulent times where the new woman is breaking barriers, questioning the patriarchal mindset, and evolving into a stronger pillar of society — a change that perhaps makes the chauvinist Indian male insecure.
“Offence is the best form of defense” — this may explain why insecure men commit crimes against women.
This Women’s Day, let’s pledge to celebrate every woman who has found her voice and believes that in a healthy social system she must be respected and regarded as an equal, nothing less, nothing more.
Let’s also pledge to give hope and support to every woman who has been victimized because she refused to compromise her values.
A woman is not “Abla” (helpless), but “Sabla” — one with courage and conviction, strong enough to bring about positive change in society.
A haunting visual from the Sabla series — a cry for strength and resilience against fear, silence, and oppression.
चीख़ने, चिल्लाने और रोने से क्या होगा .. ये दाग़ पक्का है इसे धोने से क्या होगा ..
खुल कर बता दो इन्सानी भेड़ियों को .. तेरे होने से क्या होगा, न होने से क्या होगा |– मृदुल प्रभा
A powerful frame from the Sabla series — capturing the weight of silence and the resilience to overcome it.
धरती पे आ गई है असुरों की फ़ौज़ .. मुझे कई हाथ दे कर दुर्गा तो बना दे .. मेरी ख़ामोशी को कोई रज़ामंदी न समझे .. लफ़्ज़ मुझको ऐसे कोई तो सिखा दे |– मृदुल प्रभा
A poignant Sabla frame — the birdcage becomes a symbol of confinement, yet the spirit remains unbound.
मैं पिंजरे में क़ैद सही, मेरे ख़यालात फिर भी आज़ाद हैं .. इन पर उसका ज़ोर नहीं, परेशान मेरा सैयाद है |– मृदुल प्रभा
This haunting Sabla portrait captures the duality of pain and defiance — scars that speak of suffering, and raised hands that declare survival and strength.
मेरा तन ही तो जला है .. मन अब भी उजला है .. जीने की चाह भी बाकी .. मंज़िल की राह भी बाकी
ज़िन्दगी जीने का कहाँ फ़ैसला बदला है। – मृदुल प्रभा
This Sabla artwork uses dice as a metaphor for women’s struggles — lives gambled, voices silenced, yet resilience holding the power to change destiny.
तुम हर बार जीतते रहे गंदी घिनौनी चालों से .. मुठियों को भींच कर, मैं बरसों दर्द सहती रही
पर अब मैं पासा पलट दूँगी .. यह खेल ही बदल दूँगी । – मृदुल प्रभा
❖━━━ ✦ SABLA ✦ ━━━❖
Through 5 Visuals, Sabla Speaks … A Journey from Anguish to Empowerment.
It is our jung … our little something for society.
Thanks to all of you for making “Sabla” possible:
Ajita Kulkarni – for being the face of Sabla.
Mridul Prabha – for bringing out the anguish, pain, and determination of Sabla through her powerful writing.
Jignasa Jadwani – for the idea and for creating the Sabla watermark.
Pradeep Pednekar Dada – for the impactful make-up.
Shabirali Patel Bhai – for the generous cooperation during the shoot.
Prachi More & Swapnil Angre – for their valuable assistance.
Concept & Photography by Humayunn Niaz Ahmed Peerzaada
Finest bhajan I have ever heard is from a film ‘Dhun’ – It’s sung by the legendary Mehndi Hasan Sahab and giving him company is Talat Aziz Sahab. Its written by Anand Bakshi Sahab and music by the evergreen Laxmikant Pyarelal. I am lucky to have this song which I bought online from HMV site….
Papa (Niaz Ahmed Peerzada) aur meri saath ki bas kuch hi tasveerein hain — shaayad 3 se zyada nahi. Woh zyada muskurate nahi the, aur main lagbhag hamesha… apni muskaan maa se paayi hai. Yeh ek rare photograph hai jisme hum dono saath hain aur dono ke chehre par muskaan hai. Mere liye yeh sirf…
I have always been drawn to people — their faces, their stories, their silences. Since 2007, I’ve been capturing portraits in and around the streets of Mumbai under a series I first called “Life Continues.” When 365 Season II was about to end in February 2014, I knew there would be a creative vacuum….
Mumbai ki baarish — bheege raaste, bheege khwab. Yeh sheher apni sabse khoobsurat ada monsoon me dikhata hai. Is playlist me aapko milenge woh pal jo sirf Mumbai walon ke dil me baste hain — wet roads, local trains, taxis, aur logon ki muskaan ke saath. The playlist covers almost all landmarks of South Mumbai,…
Kahan kahan se guzar gaya… ek safar jo 1987 se shuru hua aur 2007 tak chala — ek khubsurat journey as a Model, Host & Actor. Us daur mein camera ke samne zindagi ka har rang dekha — smiles, expressions, ads, shoots, aur wo khoobsurat pal jo aaj bhi yaadon mein taza hain. 2007 ke baad…
Yeh ek curated playlist hai mere Slow Motion (SlowMo) videos ki — jahan rozmarra ke pal, street life, food, festivals aur Mumbai ke kuch rare sights ko ek nayi nazar se capture kiya gaya hai. Kabhi iPhone, kabhi Sony RX100V aur kabhi doosre cameras se shoot kiya, maine hamesha koshish ki hai waqt ko thoda sa rok…