Tabletop & Object Aesthetics — Minimal Visual Study
A vibrant red butter dish paired with a bamboo lid, photographed in soft tabletop light. A study in colour contrast, texture, and minimal aesthetic by Humayunn Peerzaada.

A vibrant red butter dish paired with a bamboo lid, photographed in soft tabletop light. A study in colour contrast, texture, and minimal aesthetic by Humayunn Peerzaada.

Kabhi Prabhadevi junction par khada yeh rang-biranga Elephant Art Installation sirf ek sculpture nahi tha — balki ek traffic landmark tha. Metro station aane ke baad yeh jagah badal gayi hai, aur ab yeh installation wahin hoga ya kahin aur, koi nahi jaanta. Maine is installation ko alag-alag dinon, alag angles aur alag moods me document kiya….
Papa (Niaz Ahmed Peerzada) aur meri saath ki bas kuch hi tasveerein hain — shaayad 3 se zyada nahi. Woh zyada muskurate nahi the, aur main lagbhag hamesha… apni muskaan maa se paayi hai. Yeh ek rare photograph hai jisme hum dono saath hain aur dono ke chehre par muskaan hai. Mere liye yeh sirf…
Kabhi-kabhi duniya ko dekhne ka tareeqa badal dena padta hai. Mere liye woh tareeqa bana — TimeFrame 360° edits. Ye sirf reframed videos nahi hain, balki ek koshish hai visuals ko ek naye nazariye se dikhane ki. Kabhi festivals ki raaten, kabhi coastal rides, kabhi celebrations aur cultural lights — har frame ek alag kahani…
“Hadha min fadli Rabbi” — ek chhota sa artifact, par is par likha ye lafz dil ko choo jaate hain. Arabic me iska matlab hai “This is by the Grace of my Lord.” Yeh sirf ek phrase nahi, balki ek jazba hai — shukr aur tawazu ka. Hum jo kuch bhi rakhte hain, chahe woh…
गणतंत्र दिवस के इस मौके पर देश के लिए सम्मान और गर्व का एक छोटा सा प्रयास | Alag-alag bhav, par jazba ek — apna Hindustan apna Bharat.
This article is from the paper cutting treasured by my Dad in his diary. This article was published in the “Times of India” newspaper many years back. He wanted me to read and imbibe it in my own life. I read it and here I save it on my blog for friends to read it….